I Stole the
King's Road
Pre Selected for the Threadneedle Art Prize 2012.
Theatrical Assemblage with looped projection.
web page & blog
Central to the looped sequence is a photograph of
the dilapidated Wentworth Studios before their demolition in the 1950s.
Frances Darlington held a studio here for five years. In its decrepit
state it somehow captures the frailty of the old art scene; a type of
art production which relied upon studio practise and craftsmanship. The
Kings Road and Chelsea area has resonances of its own. Steeped in Bohemian
history since the days of Rossetti, Chelsea has reverberated velvets,
mystics and beats in every ensuing year since Dante Gabriel took out a
lease on Cheyne walk. So much of the British idea of “artist”
is associated with that area, with the Pre-Raphaelites, Ellen Terry (who
lived there), Pink Floyd who recorded at Sound Technique studios on adjoining
Church street (where Charles Kingsley who wrote The Water Babies also
lived). The Beatles opened up The Apple Store on the Kings Road. Vivienne
Westwood and Malcolm McClaren opened up their first shop on the Kings
Road in the 1970s catalysing the wider explosion of Punk in British culture.
Vivienne Westwood’s shop The World’s End is still there. The
artists haven The Pheasantry was celebrated by the photographer Robert
Whitaker in the 1960s. I was Lord Kitchener’s Valet originally opened
in Carnaby Street in 1966, a couple of years later another branch, ‘I
was Lord Kitchener’s Thing’ opened on the Kings Road. According
to Peter Blake it was while walking past this shop that he and Paul McCartney
came up with the idea for the Sergeant Pepper album cover. Reacting to
the new modern world being sold in Post War Britain, it sold all sorts
of vintage clothes and uniforms; the type of stuff many people’s
grandparents had in their attic. It was simultaneously lauding the old
‘look’ but also wryly laughing at it as being signifier of
the old order that was gradually being violently exploded, like all the
blitzed parts of London. But it is as though something is salvaged, like
an old artwork pulled from the wreck of a derelict studio.
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